Creating Award Scrolls: Illuminating Light and Shadow
Hey there, fellow SCA scribes and all who follow this blog!
Recently I discovered, to my delight, that the issue I had with my hands — peripheral neuropathy — has subsided enough I can return to painting award scrolls again. After 5 years without using a paint brush I’m rusty. So I’ll be learning some things along with you.
So let’s dive into the wonderful world of illuminated manuscripts and uncover their magic of light and shadow! Just like the sun playing hide-and-seek with a meadow, understanding these elements breathes life into your artwork and makes it truly pop.
Now, when it comes to light sources, the convention is usually from the top left. But illuminated manuscripts can get pretty creative, so follow the lead of your exemplars. Those ancient examples are your best buddies. And today you find your samples online from the museums and libraries where they are kept. They offer large, high-resolution images to download. That’s perfect for studying the tiny details depicting the placement of highlights and shadows.
And remember, patience is key! In the world of illuminated manuscripts, it’s all about layering like a pro. Grab some gouache and slowly build up those tones to achieve smooth transitions between light and shadow.
(Sorry. The image is a bit dark)
And here’s the secret sauce, attention to detail. What sets the better – and eventually best- apart from the good? Those intricate, eye-catching details, like highlights and shading.
So, let your creativity run wild as you use your finest brushes to embellish your SCA award scrolls with delightful patterns and designs. For me, that’s the fun part, anyway.
In conclusion, dear Scribes, mastering light, shadow, and shading is like having the key that unlocks the beauty of a scroll’s creation. Embrace the traditions, experiment with techniques, and let your creativity flow! So, let’s grab our gouache and ignite our creativity. May your scrolls shine bright and inspire awe in all who behold them!
