Tips To Drawing More Period People

The way Medieval faces, feet, and hands appear in manuscripts varies by era or location, often in the details. Some appear cartoonish others more realistic. What’s the best way for you to learn how to draw period-looking people?  Motifs I traced then transferred to M. Luciana’s Renaissance scroll. Most of us have been seeing since we were born but learning how to observe […]

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Tips For Using Sakura Micron Pens

Micron Pens. Check out the tiny tip of my biggest one. As you might have noticed, I use Sakura Micron pens on most award scrolls. They are a modern convenience that replaces a quill for outlining before and after painting.  These pens have waterproof, quick-drying archival pigment ink that does not feather or bleed through paper. When dry it is smear […]

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Outwitting Scribal Dirty Slips And Missteps

I’ve created many award scrolls over the years. Along the way, I messed up or dirtied my share. From them, I learned a few tricks. These may help you too. Neatness is a primary criterion for a quality scroll. I love working with pergamenata, but it doesn’t do well with oils. To help that you start with a simple prep. Go over the perg with a large non-latex white vinyl eraser. This removes oils and unwanted marks. You may also do this after the scroll is done and very dry. As I work I use a guard sheet under my working hand. This prevents adding hand-oil or marks. You could wear cotton gloves for this, but I find them cumbersome. They alter my sense of touch especially for fine paint strokes and lettering. I use an etch scratch nib in a holder to remove unwanted ink or paint marks. You might also use an Xacto knife for this. I prefer the curved scratch nib except when working between letter parts. Then I use the pointed nib. Luttrell Psalter Illumination Example Period effect. The more an award scroll looks like a period work the better. When I use modern gouache I select colors similar to those in my medieval inspirations. Some medieval manuscripts are known for their unique color palette such as the Luttrell Psalter. If your scroll emulates it your paint colors should also. You also want to apply them in a similar style.  Newer scribes […]

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Photography Tips for SCA Blogging

Blog photos are a special consideration.  Because my blog is mine (not official SCA) my photos do not have model or photo use consents. If you officially serve the Society for Creative Anachronism any “people” photos or videos must have written consent.  If I’m not posting medieval art, I include my scanned art or use my cell-phone camera to take my blog […]

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Tips And Tweaks Philosophy

Norse Kris Kinder Hat Tweaks In the past, I’ve given you a few scribal tips. I hope they helped and didn’t cause frustration. But little I write here is a rule. It’s for fun. The only rules are those given by the Monarch,  SCA Corpora or the Kingdom. Each Kingdom sets laws and passes authority to officers. Some are more specific […]

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5 Tips to Make Your Scroll Look Period

Inspired by14th century French manuscripts. I’m on a quest. I constantly search to see the details in illuminated manuscripts to incorporate in my illumination. This started when I first found medieval manuscripts. It’s what enthralled me then and still does.  The search is how I learned to make scrolls appear like illuminated medieval manuscripts. Along the way I learned these tips […]

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Battling Calligraphy

Scroll production is a battle with calligraphy for me. I receive the task, research and plan the script and motifs I want to use. When I begin the lettering, the first and largest permanent motif, I’m tense. The page is blank and the more expensive the support–Bristol board, pergamenata, or calfskin vellum–the tenser I am. There is a deadline to meet, […]

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How To Toot Your Own Horn…Unobnoxiously

I am not a politician. bragging about my accomplishments. I don’t want to be that obnoxious person needling your nerves with bluster and boast. Even so, we all need ways to spotlight our own talents, scribal and other. As a scribe, our works commonly are grandly shown at court, taken home and hung on a wall. While they are appreciated by the recipient, their friends, family, and on-line social network, few others know the work.  This makes getting noticed as a scribe challenging. It’s also challenging because, in general, acclaim does not spread as well or as fast as drivel. So, how can you toot your own horn without being a show-off? I’d begin by proving my worth and let my creations speak for themselves. As a scribe develop a quality craft, and be reliable. The person assigning you a scroll depends on you to do your best work and present it before it’s needed for court. Anything less is a deficit for them…and you. Along the way, create works and show them to skilled scribes. Ask for their suggestions. In Calontir great ways to do this are entering Queen’s Prize or Tri-Levels competitions. I love these competitions because I learned the next best step to take, and who was doing what I wanted to learn next.  I’ve also privately shown my work to scribes I admire and asked for comment. Most love to share information and often learn from your techniques as much as you can […]

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6 Scroll Design Tips

I’ve been writing my scroll layout handout for the coming Lonely Tower Scribes’ class. While it’s too detailed for here I thought a few design tips might be appreciated. Picking your inspiration  I first choose a medieval style relating to the recipient’s persona or interest. If that’s not possible because time is short and I can’t find that information on […]

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