People Of Color In SCA Award Scrolls

With western art books and resources being mostly produced by white people they tend to assume the white European as a human standard. And in Western European illuminated manuscripts there is a dearth of people of color. But they do exist. And all ethnicities are welcomed into the SCA.  Dijon – BM – ms._0562 f. 181Vcreated around 1260-1270 representing the Holy Land So how do you create an award scroll for a non-White friend with people that look like them? Or maybe your scroll recipient has assumed a Saracen persona. How do you create a scroll creating accurate historic art combat scenes? You seek out original works. There are a few Western European illuminated manuscript pages including people of color. But they may be inappropriate to use such as this one portraying people in the Holy Land created in the late 13th century.  Some 13th -15th century popular French illuminated manuscripts feature Christian-Muslim interaction pictures such as the British Library’s Histoire d’Outremer. And various copies of the Grandes Chroniques de France and the Roman d’Alexandre en Prose. But the best place to search is the website MedievalPOC. It is a blog showcasing European works of art featuring people of color from the fall of the Roman Empire until about 1650. Often these works go unseen elsewhere and you might see them differently now viewing them from a fresh perspective. The blog is searchable and even gives you a guide to its use. If you search digitized manuscripts you’ll see the […]

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Tips To Drawing More Period People

The way Medieval faces, feet, and hands appear in manuscripts varies by era or location, often in the details. Some appear cartoonish others more realistic. What’s the best way for you to learn how to draw period-looking people?  Motifs I traced then transferred to M. Luciana’s Renaissance scroll. Most of us have been seeing since we were born but learning how to observe […]

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Nurturing Your Scribal Visual Awareness

As an SCA scribe, I’m both scroll designer and producer. Without a knack for each and both together the scrolls I do fall short. Luminous scribal creations are best handled by frequent practice, exploration, and experiment. Each scroll is unique for the accumulated knowledge and skills expressed at the time you produce it. Your entire scribal experiences flow into each work you […]

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