Testing – Which Gouache Brand Rewets Best?

I often read James Gurney‘s blog the Gurney Journey. Gurney is the Dinotopia guy. His art is amazing and his posts inspiring.  Recently, I found a post of his I think you’ll find interesting. Some gouache tests his associate Cathy Gura ran comparing gouache brands rewetting behaviors. She also compared their consistency and of all things their smell. I was intrigued because […]

Read More →

The Useful Paint Niche

Recently at our scribal meeting, I was asked about how I use my gouache palette. Do I put out new paints for each painting session? Do I reconstitute the dried paint in its well? What do I do if the paint breaks into small bits? All great questions.  This is what I do. You may find other scribes work differently. […]

Read More →

Using Gouache For Ink

M. Giraude’s scroll showing gouache ink interspace lines and filigree. Here’s something intriguing I tried on M. Giraude’s scroll. And it worked well. Better than I expected. I used gouache as ink. Since then I see several modern calligraphers online have done it. So my apologies if this is common knowledge. Even so, I am excited about it because it’s […]

Read More →

Why Is Gouache So Expensive?

There are two general gouache price points, affordable and expensive. With affordable gouache paints, I get the look and feel I expect just not its full potential.  Gouache paint consists of pigment suspended in a binder, usually gum Arabic, just as is watercolor. However gouache has larger particles and more pigment in its binder. It also includes an inert, white […]

Read More →

7 Sins of Gouache

Like the seven deadly sins, art media have behaviors that are a challenge to overcome. The key to dealing with them is avoiding or limiting their effects.  As a scribe, I’ve messed up work every way possible. Those were my gouache learning experiences while detecting its sins. Let me tell you what I’ve found. An upper gouache layer may re-moisten my […]

Read More →

Illuminating Color Mixing

Iluminators were known to layer paints more than mix them. Yet there are written notes and illuminations that show they mixed colors too, especially later in the Middle Ages.  Mixing colors makes its own problems. The more colors you combine, eventually ends with mud. Over-mixing also dulls the paint combination.  Learn by doing: mix two gouache primary colors Which colors should you use […]

Read More →

Is Gouache Period?

My rocks for paint collection.  Every year this question pops up in the scribes guild, “Is gouache period?” I use it because it is more convenient than making paint from rocks and plants. I get favorable results, too. But, how Medieval is it? I have a tangled answer. Unfortunately, it is a lengthy story. To begin, the all-knowing Wikipedia reports […]

Read More →

Why Buy More Scribal Paint Colors?

Scribes painting preprint scrolls. When I was painting preprint awards with scribes at a recent event, I was asked what colors I preferred. I had commented on colors I missed having because the paints provided for our use were Reeves gouache paint sets. I missed the colors I used at home. Gouache is an opaque watercolor used by professional artists to create illustrations […]

Read More →