Lotus shoes, worn by women in Ming Dynasty China, symbolized beauty and status, representing the ideal of the “golden lotus” formed through foot binding. While they showcased craftsmanship and were seen as elegant, they also caused pain and disability. The practice lasted for over a thousand years, officially ending in 1911.
The discussion around Li Zhenyan’s unbound feet highlights the complexities of women’s experiences in Ming China. Footbinding, though prevalent, was not universal and varied by region and circumstance. Zhenyan’s upbringing emphasized education and practicality over societal norms, reflecting the diverse narratives of women’s history beyond a singular interpretation.
Li Zhenyan writes to Madam Wang Meizhen, expressing gratitude for her husband’s herbal offerings and sharing about his youngest sister, Li Shuren, nicknamed Little Plum. He describes her steady temperament and suitability for a potential household placement, seeking Madam Wang’s judgment and insights without pressing for immediate action.
Zhenyan reflects on an encounter with the esteemed playwright, Tang Xianzu, during a visit to Madam Xu. As she treated Madam Xu’s ailments, they discussed the connection between emotions and physical health. Zhenyan realizes the distinct perspectives of men and women regarding feelings and survival, valuing the importance of being heard.
In a letter to her sister Little Plum, Zhenyan reflects on her life as a healer and widow. She describes her daily routine, emphasizing the blend of healing, organization, and independence. Zhenyan stresses the importance of boundaries and the balance between compassion and practicality, urging her sister to learn similar life skills and resilience.